Tag Archives: Laura Marling

My Favorite Albums of 2017

Favorite Albums of 2017

IS TIME FLYING BY OR WHAT?! But seriously though, I know a lot of people think 2017 was worse than 2016, but for me, it was a year of growth, rebuilding and renewal, and I feel pretty great about it; I’m still emo, I’m still gay, but sometimes you gotta go through the darkness to see the light, right?

You could say the same for some of the artists and the albums that appear on this list, which are my favorite albums of the year. I say favorite, not top, because let’s be honest, there are other albums that came out this year that might be considered “technically” better than the ones on my list. Even the order of my list could be argued, but fuck it, they’re listed based on how much I love them, not who is a better artist or band, etc.

Anyway, back to that going through the darkness thing – lots of these albums are long-awaited returns for bands and artists that went through similar emotional journeys (or just needed a fucking break), so maybe that’s why some mean more than others to me. At any rate, I’m just happy that good, thoughtful music continues to exist in a world that increasingly doesn’t make much sense. And so, here are my favorite albums of 2017.

20. Sufjan Stevens – The Greatest Gift / Planetarium / Carrie & Lowell Live

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To say that this was a prolific year for Sufjan would be an understatement. While I know that putting his three releases this year all at number 20 is cheating (and that’s not even counting “Tonya Harding”), there was just too much good stuff not to recognize on this list, and all three of these albums now hold a special place in my heart (and in my Sufjan library).

Favorite Tracks: “Exploding Whale (Doveman Remix)” / “Mercury” / “Should Have Known Better (Live)”

19. Arcade Fire – Everything Now

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Yes, it falls flat in the middle and there’s not excuse for a song as lame as “Peter Pan,” but the good stuff in Everything Now is really good. “We Don’t Deserve Love” never fails to stop me dead in my tracks.

Favorite Track: “We Don’t Deserve Love”

18. Spoon – Hot Thoughts

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I mean they couldn’t not be on this list, sooooooooooo…

Favorite Track: “Tear It Down”

17. St. Vincent – MASSEDUCATION

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Mostly just because of The New Yorker’s profile on her, but also because Annie fucking rules.

Favorite Track: “New York”

16. Conor Oberst – Salutations

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I was lucky enough to see Mr. Oberst perform in Denver this summer, and the songs on Salutations absolutely thrived when played live. Also, nostalgia, ya know? ALSO, any album that name checks John Muir AND Frank Lloyd Wright’s Taliesin is a winner in my mind.

Favorite Track: “Barbary Coast (Later)”

15. Kendrick Lamar – DAMN.

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Obligatory, but well deserving.

Favorite Track: “PRIDE”

14. Perfume Genius – No Shape

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Like, holy CHIC! Super fun and sexy and enduring album.

Favorite Track: “Valley”

13. LCD Soundsystem – american dream

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My personal american dream was fulfilled this summer dancing to “All My Friends” with all my friends at Pitchfork Music Festival, so that’s cool. american dream also slaps.

12. Cigarettes After Sex – Cigarettes After Sex

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There’s a song literally called “K.” K.

Favorite Track: “Sweet”

11. Laura Marling – Semper Femina

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I’ve always been a big Laura Marling fan, and Semper Femina finds the artist at the top of her game. The album even earned her a Grammy nomination – chic for her!

Favorite Track: “Nothing, Not Nearly”

10. The National – Sleep Well Beast

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Because nothing fits depression better than The National!

Favorite Track: “I’ll Still Destroy You”

9. Lorde – Melodrama

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But like who’s the 31 year old that inhabits Lorde’s body? For real though, this albummmmmmm. Soundtrack for a generation I tell ya.

Favorite Track: “Supercut”

8. Rostam – Half-Light

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Listening to this album is like being curled up under a down comforter in some really good lighting with some chic candle burning, and who doesn’t love that? And in these dividing times, what’s a more enduring line than “Everyone of us has felt the lights go down”?

Favorite Track: “EOS”

7. Grizzly Bear – Painted Ruins

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I mean my Wi-Fi network was named Central and Remote forever – it was also the original name of this blog – so yeah, I am a bit of a Grizzly Bear fanboy. Admittedly, Painted Ruins is still growing on me, however it’s also provided a great reminder of how talented this band is, and I’m glad they decided to come out of hibernation when we needed them the most.

Favorite Track: Tossup between “Neighbors” and “Sky Took Hold”

6. Father John Misty – Pure Comedy

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It’s scary how well this man can lyricize basically every trope about American society and our downfall as humans while making it all sound funny, lovely and heartbreaking at the same time.

Favorite Track: “Total Entertainment Forever”

5. The War on Drugs – A Deeper Understanding

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Really honestly I don’t think a guitar solo has made me weep until this album came around and now there’s three of them on here that do just that. I also don’t think I’ve ever felt as blissed out as I have while listening to “Thinking of a Place” while driving in the mountains.

Favorite Track: “Strangest Thing”

4. Aimee Mann – Mental Illness

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I credit Aimee Mann’s Lost in Space” as playing a major role in my personal “musical awakening” in high school. And while there have been great Aimee Mann albums since then, Mental Illness is the first one that leaves me feeling as shook as I felt back in 2003.

Favorite Track: “You Never Loved Me”

3. Feist – Pleasure

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I had been anticipating a new album from Feist since 2011’s Metals became my standby lakeside companion in Chicago. Pleasure was well worth the wait, and I’m happy for its existence every day.

Favorite Track: “Baby Be Simple”

2. Lana Del Rey – Lust For Life

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Lana’s just always kinda been my (and every other gay man’s) thing. I really don’t understand how she releases a new album every other year and they just keep getting better and better. Lust For Life is like, peak Lana, even though I hope the peaks just keep coming like they have been. It’s got everything – breathy ballads, Lana saying “fuck,” a song about drugs and marzipan, trip-hop beats, beaches, music festivals, and “Get Free,” a song that came to define my outlook on 2017 and life in general, a “modern manifesto” that got LANA TO SMILE ON THE ALBUM COVER.

Favorite Track: “Get Free”

1. Fleet Foxes – Crack-Up

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It was really looking like Fleet Foxes might not ever return, so when the rumors of a new album started swirling around, I tried not to get my hopes up. Then I saw Robin Pecknold open for Joanna Newsom at The Boulder Theater last year, and that had to mean something, right? Little did I know that I was hearing him sing a handful of songs he was working on for what would become Crack-Up, my favorite album of the year, one that exceeded all of my hopes and dreams for what I’d want in new Fleet Foxes material. I really don’t have much to add to what’s already been written about Crack-Up by much more talented writers other than to say the one-two punch of “On Another Ocean (January / June)” and “Fools Errand” reduces me to a puddle of goo every single time. Endless gratitude to these gentlemen for making music, and my favorite album of 2017.

Favorite Track: “Fools Errand”

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Top 30 Albums of 2013

What a weird fucking year for music. What looked good on paper sadly translated into the not-so-impressive on the ears: 2013 was the year that everyone released an album; 2013 was also the year that everyone flopped.

Let’s look at the many notable names in music that missed their mark in 2013: Phoenix, Youth Lagoon, Yeah Yeah Yeahs, Deerhunter, Major Lazer, Fall Out Boy (jokes), The-Dream, Camera Obscura, Ciara, Jay-Z, Goldfrapp, MGMT, Britney Spears (this kills me), Lady Gaga, Cults, the return of Justin Timberlake…even the full length from Sky Ferreira didn’t live up to the magic of her EP.

And yet, where many stumbled, a few lived up to the hype, or lack thereof in the case of Beyoncé. Some overcame doubts that they could pull off another masterpiece. And plenty of room was left for newcomers to show the established set just how to make real music. Yes, there’s lots of familiar names on my list, but I was also fortunate to be exposed to brand new artists for the first time through live shows and word of mouth, a method of discovering music that closes the personal loop you have with certain tunes.

And so, while the year in music didn’t exactly shape up the way I expected it too, I’m pleasantly surprised by the results and am left hungry for what 2014 has in store.

30. HAIM – Days Are Gone

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Wilson Phillips-esque is always chic, but these ladies are talented in their own right with unexpectedly different records like “My Song 5.”

 

 

 

29. Kurt Vile – Wakin On a Pretty Daze

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The perfect soundtrack for unemployment, especially if you’re able to wander around Chicago’s lakefront. Weird, that was my life. Also one of the most warmly-produced albums of the year, and I don’t hate it.

 

 

 

28. Nick Cave & The Bad Seeds – Push the Sky Away

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It’s about all of it, but it’s really all about “Jubilee Street.” Dead.

 

 

 

 

27. Bill Callahan – Dream River

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A master songwriter returns with another provocative collection of songs that magically fits perfectly with the scenery of Colorado, so that’s chic for me.

 

 

 

26. The National – Trouble Will Find Me

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Not gonna lie, I was a little disappointed by this release, but you still can’t deny that The National are really, really good at what they do. Maybe it’s just time for them to try something a little bit different the next time around. “Pink Rabbits” also kills.

 

 

 

25. Arctic Monkeys – AM

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Who knew these guys would still be relevant all these years after “Fluorescent Adolescent” took over the radio, but the Arctic Monkeys’ AM was one of the most solid rock albums of 2013.

 

 

 

24. Daft Punk – Random Access Memories

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Yes we’re all sick of “Get Lucky,” but there’s a reason why it blew up. Daft Punk finally returned in 2013 with the most slickly-produced odes to glam disco 70s funky chic with a roster of impressive guests to boot. Was it what everyone was hoping for in a new Daft Punk album? No, but it’s perfect in terms of what they were going for.

 

 

23. Laura Marling – Once I Was an Eagle

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I don’t even know, she’s just really damn good at what she does.

 

 

 

 

22. Caveman – Caveman

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I didn’t even know about this band until I caught their act while opening for Rogue Wave (moments) at Lincoln Hall this past June. I’m really glad I went early (when you go to a majority of shows alone, it’s easier to drink at the venue then alone in your apartment…awkward) because I can’t stop playing their self-titled LP. Glowing melodies fuzzy keys and emo subject matter – I can totally get down with that and you should too.

 

 

21. CHVRCHES – The Bones of What You Believe

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Obligatory, but it’s also a great album.

 

 

 

 

20. Iron & Wine – Ghost On Ghost

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Sam Beam decided he also had to throw his hat in the ring in 2013, but he actually made a great album with Ghost On Ghost. Songs like “New Mexico’s No Breeze” and “Joy,” which had a killer music video to boot, are worth the price of admission alone.

 

 

 

19. Neko Case – The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You

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She must have been going for a Fiona Apple-esque vibe with that album title, and while it’s definitely not Neko’s best album, it’s a solid entry in an outstanding catalog of music.

 

 

 

18. Rhye – Woman

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Made up of Milosh and Robin Hannibal, Rhye’s Woman came out of nowhere and blew most listeners away, me being one of them. It also didn’t hurt that the group’s super exclusive show at Schubas was one of the best I’ve seen all year.

 

 

 

17. Atoms for Peace – Amok

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This is what Thom Yorke’s Eraser should have sounded like, although I like them both. Whatever.

 

 

 

16. Majical Cloudz – Impersonator

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I mean baiiiiiiiiiiiiiiii. Talk about emo moments. But really, it’s quite something to hear what Devon Welsh and his producer / collaborator Matthew Otto can do with the most minimal of elements.

 

 

 

15. Unknown Mortal Orchestra – II

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These are all supposed to be my top albums of 2013, but UMO’s II is definitely a favorite. But like really, “So Good At Being In Trouble,” “Monki,” “Secret Xtians.” Are you kidding me?

 

 

 

14. The Dodos – Carrier

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I’ve mentioned this a few times on this blog that I hardly pay attention to anymore, but The Dodos are special not only because I love them, but because they were the subject of the first review I ever wrote. They disappointed with 2011’s No Color, but thankfully came back better than ever with Carrier, which is best digested in a solid listen from start to finish. It’s good to hear the group channeling the loss of guitarist Christopher Reimer into such beautiful art – putting the medium to its best possible use. Also bittersweet – the last show I saw at my home away from home, Lincoln Hall, was headlined by The Dodos; A fitting bookend to my life at that moment.

 

13. Night Beds – Country Sleep

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Lead by Winston Yellen, newcomers Night Beds tugged at the heartstrings with Country Sleep.  These are the types of songs you’d hear on The OC before the rest of humanity discovered them only because of said show, and yet they also avoid sounding clichéd. Also check out the super disturbing video for “Even If We Try.” Oh, also, my friend totally could have gone back to Winston’s hotel room the night they played the Varsity in Minneapolis, so that’s fun.

 

 

12. Disclosure – Settle

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Another debut in a list of amazing debuts in 2013, Disclosure’s Settle was, by far, the best dance record released this year, and then Beyoncé had to come and mess everything up if you’re into more of an R&B flavor. But really, can we talk about “Latch” or “Defeated” or “You & Me” or “Help Me Lose My Mind” or really every track on this album, because damn.

 

 

11. Indians – Somewhere Else

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Maybe it’s the chic album art that I wouldn’t mind having framed, maybe it’s the delicate yet slightly kooky vocals from Søren Løkke Juul (not to mention the kooky name, but whatever he’s from Copenhagen so act cool), maybe it’s the melancholy melodies backed by subtle electronics to make the whole thing grander, but Somewhere Else is certainly something else, in the best way possible.

 

 

10. Drake – Nothing Was the Same

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I really didn’t want to like this album. Perhaps I was getting a little sick of Drake and I didn’t want anything to overshadow the amazingness that was and still is Take Care. But Nothing Was the Same is like, really, really good you guys. I still kind of don’t want it to be as good as it is, but damn, he cracked my top 10. Bravo.

 

 

9. Local Natives – Hummingbird

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After breaking out with the brilliant Gorilla Manor, I’m really happy Local Natives avoided the dreaded sophomore slump and came out ahead with Hummingbird. And while it doesn’t offer much in terms of innovation, Hummingbird makes up for that in perfecting the direction of the band and setting excellent expectations with songs like “Ceilings,” “You & I” and the devastating “Colombia.”

 

 

8. Phosphorescent – Muchacho

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If landscapes could sing songs, they would sound like those grouped together on Muchacho. It sounds new yet rustic at the same time, like you’ve heard these songs in a past life or something. Muchacho is beaten up, triumphant, free-wheeling and wistful – all the makings for one of the best albums of the year.

 

 

7. Arcade Fire – Reflektor

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The expectations for this album were incredibly high, thanks to a viral campaign, “secret” shows, track listing leaks, and lots and lots of ad money. Ultimately, Reflektor fell short for many. Have Arcade Fire jumped the shark? Maybe. Our quaint little indie band are now playing arenas on the next tour and have a much larger sound to match. Yet isn’t this the complaint aimed at every band who were once someone’s secret that now everyone enjoys? It isn’t all bad, and Win Butler seems to know exactly what he and the rest of the group are to do with this newfound superstardom. And there’s still no denying the pockets of genius found throughout Reflektor, with the title track being one of my favorites of 2013. Maybe I’m a little jaded that the secret’s fully out in the open, but I think we’ll get a clearer picture of what Arcade Fire is turning into (or has become) with a follow-up, whenever that happens.

 

6. Blood Orange – Cupid Deluxe

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Like, this is almost a perfect album. There’s really not much more I can say.

 

 

 

 

5. James Blake – Overgrown

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James Blake traded in the dubstep sound of his first proper LP for a more R&B flavored sound on Overgrown, and it pays off in dividends. Overgrown is a multi-textured album that has the ability to fully launch the listener into a dark, seductive atmosphere. It’s an album full of surprises, twists and turns that remind us why Blake is one of the best in the business.

 

 

4. Vampire Weekend – Modern Vampires of the City

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A familiar name that actually pulled through in 2013. People love to hate Vampire Weekend, but why? I think it’s jealousy. Insanely talented, good looking, smart guys that make great fucking music with a sound that is distinctly their own, Vampire Weekend’s Modern Vampires of the City is familiar enough while also offering something fresh over previous releases. It’s like a really solid piece of furniture. Don’t even get me started on “Hannah Hunt.”

 

 

3. Beyoncé – BEYONCÉ

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Even though it’s not the number one album, Beyoncé’s surprise (that’s an understatement) “visual album” clearly won 2013. If there was ever a time to use the term “tour de force” to describe an album, let alone the full Beyoncé Experience that was dropped on humanity as the clock struck midnight on December 13, this would be the occasion.

Not only is the album 14 songs long, but there’s a full on music video for each song (and then some). And these aren’t just like, go-pro handycam bullshit videos. Oh, and on top of all of that, the album slays. It’s her best work yet, sounding current without overplayed while also pushing some sonic boundaries.

In an age of massive pre-release promotions that have the potential to do more damage than good (see every other major release from well-established artists this year), Beyoncé and her team were able to create an event akin to when Radiohead released In Rainbows. It shows her dedication to not only the craft, but also the meaning of music and its ability to bring people together. Don’t be jealous.

 

2. Volcano Choir – Repave

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God damn Justin Vernon. I remember seeing Volcano Choir perform their first ever show at The Cedar in Minneapolis back in 2011. Since Justin Vernon was involved, the crowd was a who’s who of the Minneapolis music scene and Bon Iver fanboys, all trying to get a taste of whatever Vernon had his fingers on those days.

The show was awesome, but it was basically one giant, live experiment, similar to the entire structure of Unmap. Certainly, this wasn’t music for the mainstream and would remain one of Vernon’s many side projects with his buddies.

Ugh, that notion was so wrong, and what a difference two years makes. After seeing Volcano Choir perform at The Metro in Chicago in support of Repave, we now find the group as a fully-formed juggernaut, complete with a live show that employs a beautifully-designed lighting concept cascading off of a cave-like backdrop, with Vernon planted behind a pulpit, preaching to raptured audiences. The songs on Repave are no longer experiments in sound and electronics. These are lovely, anthemic, powerful songs that serve as a call to arms. Vernon, for the most part, ditches the falsetto, belting out lines like “set sail,” pleading with the listener to “repave, repave, repave, repave,” and to “shed skin.”

It’s as if Vernon is shedding the persona of Bon Iver, and he very well may be according to some recent interviews. He’s at the helm now of a different, more powerful ship now, and that plasters a giant smile on my face.

 

1. Kanye West – Yeezus

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I’ve already dropped the mic on this album back in June, but once again, Kanye West has released the album of the year – an album that sounds like nothing else and pushes forward a very specific agenda about status and race in America. In closing, and in true Kanye form, Imma quote my previous post on Yeezus:

When Kanye first tweeted that he would be projecting new music at specific locations across the country, I dropped what I was doing and headed up the street to Wrigley Field, not knowing what to expect. In true Kanye form, the projection of “New Slaves” started an hour late. I tried to be as in the moment as possible while also trying to decipher what this new sound was and listening intently to the subject matter of what is a very deep song. Then, out of nowhere, in slammed the sample of Omega’s “Gyöngyhajú Lány.” It’s quite a beautiful and somewhat profound moment, actually, and felt more that way as me and 50 other people stared at the entrance of Wrigley Field with jaws dropped, while Kanye and Frank Ocean crooned “So let’s get too high, get too high again.” It may not be the same type of high that Dark Fantasy gave the world – Yeezus is a high of a very different sort. And thank God – At least none of us are bored anymore.

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Top 25 Albums of 2011

Ok 2011, you were kind of a weird, but good year for music.  Honestly, this has been one of the hardest “Top 25” lists I have ever made, because, besides my pick for the number one album, a lot of the rest was pretty much up in the air for me.

One note: PJ Harvey’s Let England Shake is nowhere to be found on my list.  Sorry for partying, but it still just hasn’t clicked with me.

Also, lots and lots of good hip-hop came out this year.  Which is fun, but also, as a big fan of hip-hop, might make my list seem very “commercial.”  Not really sorry for this one, it just is what it is.

And so…..judge away:

25. Panda Bear – Tomboy

 

 

 

 

 

I mean, it’s mostly all about “Last Night At the Jetty,” but it’s also about the overall lush, woozy sound drenched in layers upon layers of reverb  heard throughout the album that makes Noah Lennox’s Tomboy a notable listen in 2011.

24. Cults – Cults

 

 

 

 

 

Cults threw their hat in the whole retro-pop ring and came out on top with their first try.  Although I was skeptical at first, debut single “Go Outside” was the perfectly breezy song of the summer.  Seeing them live at the 7th Street Entry sealed the deal, and “Walk At Night” is one of my favorite songs of the year.

23. Lady Gaga – Born This Way

 

 

 

 

 

There’s really not much more to say about this one than what I already wrote in my review of the pop star’s second album, and even though it’s getting kinda old kinda fast, there’s no denying that this was one of the best pop albums to come out this year.

22. Beyoncé – 4

 

 

 

 

 

Ughhhhhhh Beyoncé, how you murk me so.  Even though I would have preferred an album filled with songs like “Countdown,” we instead got more of a mood album, a Beyoncé tone poem, if you will.  You can almost hear the tears in “I Care,” feel the swagoo in “Party,” and bonus track “Dance For You” definitely makes me want to swirl.  A fine body of work.

21. Youth Lagoon – The Year of Hibernation

 

 

 

 

 

Another example where a live show catapulted an album into being something special…no but really, as a debut, The Year of Hibernation is a remarkable achievement for the young Mr. Powers.

20. TV On the Radio – Nine Types of Light

 

 

 

 

 

Bucking the trend, I actually didn’t much enjoy this band’s appearance at First Ave.  I honestly think it was just because I was in a sour mood, however music usually can lift me out of that, and that just didn’t happen at the show.  But as an album, Nine Types of Light continues a winning streak for TV On the Radio.

19. Britney Spears – Femme Fatale

 

 

 

 

 

I mean…Britney hasn’t been this exciting since Blackout.  Love her, hate her, say what you will about her, but Femme Fatale is simply a fun, expertly crafted, perfect pop album, and that’s all it needs to be.  It’s also fun when Britney gets dirty and swears (“You can be my fuck tonight” on “How I Roll”) and references past hits (“Hit me one more time” on “Inside Out”).  Let’s just face it, growing up with Britney as the soundtrack to everything from 8th grade “mixers” to high school proms and now drunken, messy nights out in your 20s has been a gift everyone can (and should) appreciate.

18. Feist – Metals

 

 

 

 

 

Metals is a really pretty album.  Nothing too groundbreaking happening here, but for craft, this album gets an A.  “Graveyard” and “The Circle Married the Line” sound both thrilling and heartbreaking at the same time, which could describe this album as a whole….yes?  Maybe?  Yeah.

17. James Blake – James Blake

 

 

 

 

 

Dubstep ughhhhhhhh.  It’s a great album though.  Also, I saw him in the Entry and you probably didn’t.

16. M83 – Hurry Up, We’re Dreaming

 

 

 

 

 

Yeah yeah, “Midnight City” is like, the song of the year.  Listening to this album in one sitting is quite the experience.  And, they hit their live show out of the park at First Ave.

15. CANT – Dreams Come True

 

 

 

 

 

I was pretty skeptical about the solo effort from Grizzly Bear’s Chris Taylor, especially since lead single “Answer” really didn’t do much for me.  Well, wow, this album is pretty fucking great, proving Taylor can hold his own as an artist.  Also, none of you went to the show at the Entry.  Shame on you.

14. Terius Nash – 1977

 

 

 

 

 

Terius Nash aka The-Dream.  That’s pretty much all you need to know.  The best part is that this breakup album is mostly about Christina Milian.  Super fun.  Also, 1977 is a contender for giving us some of the best one-liners in rap history: “You used to be anti-internet, but now you constantly blogging and shit,” “Another day with you is just another fucking day,” “That get up in the mornin’ and put it on me, she so horny,” “Let me sing you my drunk song,” “Blowin’ bottles of dat drank,” “Ever seen a n@&*a buy a house from the toilet?”  I could go on, but I wont.  You should just listen.

13. Laura Marling – A Creature I Don’t Know

 

 

 

 

 

Not too much to say about this one either, other than Laura Marling’s voice is, you know, one of those voices.  It just hits you right in the gut.  And she’s only 21.  Although not as immediate as I Speak Because I Can, there are plenty of highlights throughout A Creature I Don’t Know, including “I Was Just a Card,” “Salinas,” and “Sophia.”

12. Wilco – The Whole Love

 

 

 

 

 

WILCO IS BACK!!!  Right, they didn’t really go anywhere, but honestly, this is the best thing since A Ghost is Born, and a lot of people didn’t even like that album.  So then this is the best thing since Yankee Hotel Foxtrot.  Which is saying a lot.  Also, their first of two recent shows at The State Theatre was one of my favorite concerts of the year, maybe even ever.

11. The Roots – Undun

 

 

 

 

 

If you know me, it’s kind of a given that if an album includes Sufjan Stevens in the credits, I’m going to take notice.  And while Sufjan’s “Redford” is the base for the last suite of songs, the rest of this concept album is all The Roots, and it’s fantastic.  Definitely the most heartfelt hip-hop found on this list.

10. St. Vincent – Strange Mercy

 

 

 

 

 

Strange Mercy might be Annie Clarke’s masterstroke.  “Cruel” is one of the best songs of the year.  The title track is my personal favorite from the album.  All in all, Strange Mercy is classic St. Vincent but more focused and sonically profound.  Amazing stuff.  I also got to sit on the stage for her show at The Walker.

9. The Antlers – Burst Apart

 

 

 

 

 

The Antlers’ Hospice was a masterpiece, even if it left you completely wrecked after each listen.  Talk about a downer!  Things haven’t changed much with Burst Apart, but everyone was waiting to see if Peter Silberman and crew would be able to produce something as meaningful that didn’t have the story arc of Hospice.  I’d say The Antlers have succeeded – Burst Apart still tells a story, but this time it’s about moving through the murky waters of heartbreak and loneliness, fun stuff like that!  Who knew depression could sound so lovely?

8. Real Estate – Days

 

 

 

 

 

The surf-infused sounds of melancholy is the best way I can describe Days.  What’s up with me and loving sad-ish music so much?  Anyways, Days is a lovely gem of an album.  And really it’s not all that sad.  Seriously, don’t let that scare you away from listening to it!

7. Beirut – The Rip Tide

 

 

 

 

 

Zach Condon’s most accessible work still maintains that European quirkiness that defines Beirut’s sound.  Condon’s voice has also never sounded better, song’s like “Goshen” a showcase for his deep, swoon-worthy vocals.  All those horns pull at your heartstrings too.

6. Radiohead – The King of Limbs

 

 

 

 

 

It’s an odd year for me when Radiohead put out an album and it’s not automatically number one on my list.  Yup, I’d say you either loved or hated The King of Limbs.  Maybe it even pissed you off.  Clearly, I fall in the love camp, while also recognizing that better music came out this year.  Honestly though, why is everyone so mad that the album (consisting of JUST EIGHT SONGS?!?!?! ) is under 40 minutes long? There’s a lot packed into those 40 minutes.  “Bloom” is like an awakening, “Lotus Flower” is another one of the best songs of the year, “Codex” murks you and “Give Up the Ghost” is unlike anything heard from the band.  Yeah, it’s not an instant classic like In Rainbows, but this record holds up very nicely when not compared to Radiohead.  Think about it.  Bye.

5. Kanye West & Jay-Z – Watch the Throne

 

 

 

 

 

Yeah yeah, I know I wasn’t head-over-heels for this when it first came out.  But my, how Watch the Throne has grown on me, just like I guessed it would.  Again with this one, pretty much everything that could be said about this album already has been said.  Along with 1977, Watch the Throne also ranks high with classic one-liners that have quickly made their way into me and my friends’ everyday vernacular.  I’d type out some examples but I’d have to use too many $*#@)($#@s.

4. The Weeknd – House of Balloons/Thursday

 

 

 

 

 

Completely out of nowhere and I am so completely happy that both of these mixtapes (with a third on the way) happened this year.  Really, there’s not a single track on both of Abel Tesfaye’s (ok let’s just stick with calling him The Weeknd) outings thus far that I would skip over.  They just make you feel so many feeelingssssssssss.  And I think that’s a good thing, especially in this genre.

3. Fleet Foxes – Helplessness Blues

 

 

 

 

 

I actually re-listened to Helplessness Blues last night as a refresher.  Originally it was a few slots lower on my list, but my notions were confirmed that, yeah, this is definitely one of the top three albums of the year.  The title track kills me every time.  The harmonies almost make you want to vomit because they sound so perfect.  It’s almost an overload of beauty.  Did I really just say that?  Yeah.  Cuz it is.  Helplessness Blues is almost an overload of beauty.

2. Drake – Take Care

 

 

 

 

 

Are you for real?  Really though, Drake killed it this year.  I really can’t talk about it.  I also really can’t talk about that album cover.

1.  Bon Iver – Bon Iver, Bon Iver

 

 

 

 

 

Why must Justin Vernon do this to me?  Crying in my car, crying at work, crying in my apartment, crying at the freaking concert.  This album is actually mind blowing.  It’s almost like everyone wanted it to suck because it would not be fair for our very own Justin Vernon to keep on succeeding and producing music that is again and again this transcendent.  But guess what??? He made 2011’s album of the year.

So, that’s it!  Below, in no particular order, are some of the albums that didn’t make the cut, even though I really, really wanted them to.  Going up to 50 albums would have actually killed me.

Akron/Family – S/T II: The Cosmic Birth and Journey of Shinju TNT

My Brightest Diamond – All Things Will Unwind

tUnE-yArDs – w h o k i l l

Cut Copy – Zonoscope

Bright Eyes – The People’s Key

My Morning Jacket – Circuital

Unknown Mortal Orchestra – Unknown Mortal Orchestra

Dawes – Nothing Is Wrong

 

 

 

 

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