Tag Archives: Thom Yorke

Top 30 Albums of 2014

“It’s been a long time baby and it has been a rough road.” – Mariah Carey, Home Shopping Network

I feel like this quote from the elusive chanteuse herself (whose latest album effort is most definitely not included in my top 30) adequately sums up the year in music, as well as most things in my life, like putting together this list of my Top 30 Albums of 2014.

This list is all over the place, as expected. There were releases from artists that I knew, even before hearing, would end up in the top 10. There were releases from artists that I thought would end up at the top that didn’t even stick. There was one release from a particular Canadian artist that I knew I would love, but didn’t expect to be my favorite album of the year.

And so, as we turn down the lights on 2014, I’m looking at this list and I’m liking a lot of what happened. Here’s hoping you did too.

30. Damien Juardo – Brothers and Sisters of the Eternal Sun

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Damien Juardo said this album “is about a guy who disappears on a search, if you will, for himself and never goes home,” which is kind of like what happened to me when I moved to Boulder, so that’s fun.

Favorite Track: “Silver Katherine”

29. Conor Oberst – Upside Down Mountain

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I feel like most people have written off this album. While there’s nothing groundbreaking here, there’s a familiarity in Mr. Oberst’s vocals and subject matter that, along with the sprawling, dusty guitars, makes flipping this record akin to sliding into your favorite boots. Whatever.

Favorite track: “Double Life”

28. Sia – 1000 Forms of Fear

Sia_-_1000_Forms_of_Fear_(Official_Album_Cover)

Best straight pop album of the year. WHATEVER T-SWIFT.

Favorite track: “Elastic Heart”

27. Glass Animals – Zaba

Zaba

It’s just like chic and funky and consistently groovy, front to back.

Favorite track: “Cocoa Hooves”

26. Interpol – El Pintor

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Yes, while El Pintor is a return to form (finally) for Interpol, the album sees the band falling back on old tricks. Nothing is new or exciting about most of this material, and yet it’s the band’s strongest effort in a long, long time, with a few of the songs being able to sit on the same shelf as the best work they’ve ever done.

Favorite track: “My Blue Supreme”

25. How To Dress Well – Where Is This Heart?

What Is This Heart

Like, one minute it’s dance-y and fun (“Repeat Pleasure”) and then it’s like, really spooky and scary and sad (“Face Again”). I’m in.

Favorite track: “Repeat Pleasure”

24. Thom Yorke – Tomorrow’s Modern Boxes

Tomorrows Modern Boxes

A very welcome surprise from Mr. Yorke, who continues to be prolific behind the scenes while we all wait for Radiohead’s next masterpiece.

Favorite track: “Nose Grows Some”

23. Sisyphus – Sisyphus

Sisyphus

I’m biased because it’s love. Sufjan and I share a very special bond, so I couldn’t not include an album on this list that he’s (heavily) involved in. While in theory this album shouldn’t work, it works well. Really well. Sufjan’s orchestral flourishes along with Son Lux’s melodies prove to be the perfect backdrop for MC Serengeti’s rhymes.

Favorite track: “Rhythm of Devotion”

22. Azealia Banks – Broke With Expensive Taste

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Perpetually delayed, and now perpetually great. I’m nervous I’m summoning something dark from the underworld when I listen to tracks like “Heavy Metal And Reflective,” or summoning something really, really chic while listening to “Ice Princess.” Even though most of the material is years old at this point, Ms. Banks still sounds fresh to death. Gays are flying everywhere.

Favorite track: “Wallace”

21. – TV On The Radio – Seeds

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TV On The Radio are a happy band now and it sounds great on them.

Favorite track: “Right Now”

20. Flying Lotus – You’re Dead!

You're_Dead!

But like really? It’s like candy coming out of your speakers.

Favorite track: “Never Catch Me (feat. Kendrick Lamar)

19. The Antlers – Familiars

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I don’t think The Antlers will ever get to a place as good (or depressing) as Hospice, but with each release since that defining record, they continue to evolve and surprise, still able to deliver an emotional punch with those freakin’ horns in a way that few others can.

Favorite track: “Surrender”

18. Run the Jewels – Run the Jewels 2

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Like, K. Album of the Year on many other’s lists. Not as high up on mine, but still, earth shattering.

Favorite track: “Early (feat. Boots)”

17. FKA Twigs – LP1

LP1

Chiiiiiiiiiiiiiiiiiiiiiic.

Favorite track: “Pendulum”

16. Spoon – They Want My Soul

They Want My Soul

I met Britt Daniel this past Sunday. Oh, this album is good. Spoon by the numbers, but that’s like, way better than most bands’ by-the-numbers shit.

Favorite track: “Knock Knock Knock”

15. La Roux – Trouble in Paradise

La_Roux_-_Trouble_in_Paradise

Maybe it’s because I’m gay. Maybe it’s because the live show blew my mind (even though I was alone, which was chic but also not chic). I keep coming back to this album when I need to shake the stress away, one of the many magical powers of music. La Roux’s Trouble in Paradise does it better than many others – there’s no need to skip to the next track on this one.

Favorite track: “Cruel Sexuality”

14. Mac DeMarco – Salad Days

Mac_DeMarco_Salad_Days

Is Mac DeMarco good looking? Not good looking? What would happen if he fixed his teeth? Can he get naked more often in music videos?

Favorite track: “Let My Baby Stay”

13. James Vincent McMorrow – Post Tropical

Post_Tropical

Murked me all last winter, and I’m ready to let it murk me all over again during this snowy season. McMorrow turned up the bass for his second LP and it sounds really great.

Favorite track: “Red Dust”

12. Future Islands – Singles

Singles

I mean there’s really not much more I can say about Singles that hasn’t already been said. This was Sam’s year.

Favorite track: “Seasons (Waiting On You)”

11. Caribou – Our Love

Our Love

Liiiiiiiiiiiiiiiiiiiiiike. Yes. Also, Owen Pallett contributed a lot to this one. More on him later…

Favorite track: “Back Home”

10. PHOX – PHOX

PHOX

Ok, honestly I really didn’t want to like this album as much as I did, and still do. First, it was pushed on me BY THE STARBUCKS APP. Red flag number one. And then just look at that album art. CUTE AS FUCK. Also, their name is a stylized spelling of fox, an animal that is plastered all over my favorite Pierrepont Hicks tie. There’s no way the music can be that good. Then I learn this Baraboo, Wisconsin-based band recorded this album at Bon Iver’s April Base. BAIIIIII. And then I gave in and laughed and cried and wow it’s just kind of perfect. Does this make me basic?

Favorite track: “Satyr and The Faun”

9. Sharon Van Etten – Are We There

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Dead. I’m dead by how perfect this album is. Really Sharon, stop it.

Favorite track: “Break Me”

8. St. Vincent – St. Vincent

St. Vincent

Slay Annie.

Favorite track: “Regret”

7. Lykke Li – I Never Learn

Lykke_Li_-_I_Never_Learn

Jesus, this album. I mean when the preview video was released, I was sobbing at my desk. TALK ABOUT DEVASDATING! Apparently she wrote this album after the most painful breakup of her life. “This album is about the shame and the guilt and the sadness and the regret you can experience after leaving someone,” she told Pitchfork. Like, sadness chic to the extreme. And that voice, that voice that can pierce anything. Really though, if you’re having a bad day or you just fought with your girlfriend/boyfriend/roommate or just want to feel feelings, this is about as cathartic (and brilliant) as you can get. I mean during the chorus of “Gunshot” it actually feels like the music is shooting you. How great is that?

Favorite track: “Gunshot”

6. Beck – Morning Phase

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The return of Beck was great for me, and great for 2014. Seeing Beck at Pitchfork Fest this year really cemented how great this album is; who knew “Blue Moon” was such a sing-along anthem? “I’m so tired of being alooooneeeee.” Sing it boy.

Favorite track: “Waking Light”

5. Lana Del Rey – Ultraviolence

Ultraviolence

I don’t think I anticipated an album more this year than Lana’s- the one on which she had to prove to everyone she wasn’t a flash in the pan, she wasn’t her SNL performance, which honestly wasn’t that bad. The girl that everyone loved to hate became the subject of countless think pieces both defending and defaming her (once again). But Lana doesn’t care about any of that, and Ultraviolence is amazing. The album sounds like old Hollywood, curated by Dan Auerbach of the Black Keys and brought home by Lana’s vocals, which are stronger than ever. She revels in being the other woman, looking pretty when she cries, smoking hydroponic weed in Brooklyn with her boyfriend. And she’s cooler than him. Duh.

Favorite track: “Sad Girl”

4. Tweedy – Sukierae

Sukierae

What could have been a toss-off is instead one of the most captivating releases Jeff Tweedy has put out in a while, with or without Wilco. It’s long, yes, but none of the tracks are throwaways. Instead, we get a look into how a singer/songwriter deals with family issues (his wife’s cancer), and learn that Jeff’s son, Spencer, is a skilled drummer, which isn’t that much of a surprise. Songs like “Fake Fur Coat” evoke solo Dylan material, while “Low Key,” “Pigeons,” and “Honey Combed” take their place along with the best that Wilco or Tweedy have ever done. A treat, for sure.

Favorite track: “Low Key”

3. Real Estate – Atlas

Atlas

Real Estate have established a pretty niche sound, and while that doesn’t change much with Atlas, the band has evolved that sound to drape around some forlorn subject matter. “I’m out again on my own, a reflection in the chrome,” sings Martin Coutney on the opening track, singling that not all is beachy keen in New Jersey. This sentiment continues throughout the album. Lyrics like “I cannot come back to this neighborhood without feeling my own age,” on “Past Lives” and “I’m just trying to make some sense of this before I lose another year,” on “The Bend” hit home for many who are watching their own lives evolve before their eyes, but also reinforce that change can be a beautiful thing.

Favorite track: “The Bend”

2. The War On Drugs – Lost in the Dream

Lost in the Dream

It’s perfect. Really. Like, almost too perfect. The best part is Adam Granduciel and company make it all sound (and look during live shows) so effortless, like this kind of material is easy to conjure. I’m guessing it isn’t, so bravo.

Favorite track: “Red Eyes”

1. Owen Pallett – In Conflict

In Conflict

“I’ll never have any children. I would bare them and confuse them, my children.”

Oh Owen, aka Final Fantasy, aka master of the violin and loop pedal, aka the strings genius behind The National, Arcade Fire, Beirut and the Oscar-nominated Her soundtrack. On In Conflict, Owen the collaborator collaborated with Brian Eno to release his most personal album yet. One minute, this thing sounds like you’re on the moon (“In Conflict”), the next, you’re almost uncomfortably close to a past sexual encounter that’s at once eerie and beautiful (“The Passions”). I knew In Conflict would be good, but I had no idea that this album would grow on me to become my favorite of the year. Finally eschewing the guise of a stage name and signing about fictional characters like he did on Heartland, Pallett opens up and sings about his life, which is beautiful, messy and yes, gay.

When he sings that line, “I’ll never have any children,” you can almost hear the sadness in his voice, but he’s also come fully to terms with that fact. On “The Secret Seven,” Pallett sings, in defiance to Dan Savage, “It won’t get better,” before offering up his own telephone number and an ear to those that are experiencing “the hunger” and the rising water that can be navigating the gay lifestyle. The arrangements are complex yet playful, with added electronics, on display during “The Sky Behind the Flag,” and others, fleshing the whole thing out. I’m just rambling at this point, but the point is that I couldn’t escape In Conflict even if I wanted to.

And I don’t hate that.

Favorite track: “Song For Five & Six”

 

 

 

 

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Top 30 Albums of 2013

What a weird fucking year for music. What looked good on paper sadly translated into the not-so-impressive on the ears: 2013 was the year that everyone released an album; 2013 was also the year that everyone flopped.

Let’s look at the many notable names in music that missed their mark in 2013: Phoenix, Youth Lagoon, Yeah Yeah Yeahs, Deerhunter, Major Lazer, Fall Out Boy (jokes), The-Dream, Camera Obscura, Ciara, Jay-Z, Goldfrapp, MGMT, Britney Spears (this kills me), Lady Gaga, Cults, the return of Justin Timberlake…even the full length from Sky Ferreira didn’t live up to the magic of her EP.

And yet, where many stumbled, a few lived up to the hype, or lack thereof in the case of Beyoncé. Some overcame doubts that they could pull off another masterpiece. And plenty of room was left for newcomers to show the established set just how to make real music. Yes, there’s lots of familiar names on my list, but I was also fortunate to be exposed to brand new artists for the first time through live shows and word of mouth, a method of discovering music that closes the personal loop you have with certain tunes.

And so, while the year in music didn’t exactly shape up the way I expected it too, I’m pleasantly surprised by the results and am left hungry for what 2014 has in store.

30. HAIM – Days Are Gone

HAIM-Days-Are-Gone1

Wilson Phillips-esque is always chic, but these ladies are talented in their own right with unexpectedly different records like “My Song 5.”

 

 

 

29. Kurt Vile – Wakin On a Pretty Daze

Kurt-Vile-Waking-On-A-Pretty-Daze

The perfect soundtrack for unemployment, especially if you’re able to wander around Chicago’s lakefront. Weird, that was my life. Also one of the most warmly-produced albums of the year, and I don’t hate it.

 

 

 

28. Nick Cave & The Bad Seeds – Push the Sky Away

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It’s about all of it, but it’s really all about “Jubilee Street.” Dead.

 

 

 

 

27. Bill Callahan – Dream River

Bill Callahan

A master songwriter returns with another provocative collection of songs that magically fits perfectly with the scenery of Colorado, so that’s chic for me.

 

 

 

26. The National – Trouble Will Find Me

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Not gonna lie, I was a little disappointed by this release, but you still can’t deny that The National are really, really good at what they do. Maybe it’s just time for them to try something a little bit different the next time around. “Pink Rabbits” also kills.

 

 

 

25. Arctic Monkeys – AM

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Who knew these guys would still be relevant all these years after “Fluorescent Adolescent” took over the radio, but the Arctic Monkeys’ AM was one of the most solid rock albums of 2013.

 

 

 

24. Daft Punk – Random Access Memories

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Yes we’re all sick of “Get Lucky,” but there’s a reason why it blew up. Daft Punk finally returned in 2013 with the most slickly-produced odes to glam disco 70s funky chic with a roster of impressive guests to boot. Was it what everyone was hoping for in a new Daft Punk album? No, but it’s perfect in terms of what they were going for.

 

 

23. Laura Marling – Once I Was an Eagle

Laura-Marling-Once-I-Was-An-Eagle

I don’t even know, she’s just really damn good at what she does.

 

 

 

 

22. Caveman – Caveman

12 Jacket (3mm Spine) [GDOB-30H3-007}

I didn’t even know about this band until I caught their act while opening for Rogue Wave (moments) at Lincoln Hall this past June. I’m really glad I went early (when you go to a majority of shows alone, it’s easier to drink at the venue then alone in your apartment…awkward) because I can’t stop playing their self-titled LP. Glowing melodies fuzzy keys and emo subject matter – I can totally get down with that and you should too.

 

 

21. CHVRCHES – The Bones of What You Believe

Chvrches

Obligatory, but it’s also a great album.

 

 

 

 

20. Iron & Wine – Ghost On Ghost

Iron & Wine

Sam Beam decided he also had to throw his hat in the ring in 2013, but he actually made a great album with Ghost On Ghost. Songs like “New Mexico’s No Breeze” and “Joy,” which had a killer music video to boot, are worth the price of admission alone.

 

 

 

19. Neko Case – The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You

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She must have been going for a Fiona Apple-esque vibe with that album title, and while it’s definitely not Neko’s best album, it’s a solid entry in an outstanding catalog of music.

 

 

 

18. Rhye – Woman

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Made up of Milosh and Robin Hannibal, Rhye’s Woman came out of nowhere and blew most listeners away, me being one of them. It also didn’t hurt that the group’s super exclusive show at Schubas was one of the best I’ve seen all year.

 

 

 

17. Atoms for Peace – Amok

Amok

This is what Thom Yorke’s Eraser should have sounded like, although I like them both. Whatever.

 

 

 

16. Majical Cloudz – Impersonator

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I mean baiiiiiiiiiiiiiiii. Talk about emo moments. But really, it’s quite something to hear what Devon Welsh and his producer / collaborator Matthew Otto can do with the most minimal of elements.

 

 

 

15. Unknown Mortal Orchestra – II

UMO

These are all supposed to be my top albums of 2013, but UMO’s II is definitely a favorite. But like really, “So Good At Being In Trouble,” “Monki,” “Secret Xtians.” Are you kidding me?

 

 

 

14. The Dodos – Carrier

Dodos

I’ve mentioned this a few times on this blog that I hardly pay attention to anymore, but The Dodos are special not only because I love them, but because they were the subject of the first review I ever wrote. They disappointed with 2011’s No Color, but thankfully came back better than ever with Carrier, which is best digested in a solid listen from start to finish. It’s good to hear the group channeling the loss of guitarist Christopher Reimer into such beautiful art – putting the medium to its best possible use. Also bittersweet – the last show I saw at my home away from home, Lincoln Hall, was headlined by The Dodos; A fitting bookend to my life at that moment.

 

13. Night Beds – Country Sleep

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Lead by Winston Yellen, newcomers Night Beds tugged at the heartstrings with Country Sleep.  These are the types of songs you’d hear on The OC before the rest of humanity discovered them only because of said show, and yet they also avoid sounding clichéd. Also check out the super disturbing video for “Even If We Try.” Oh, also, my friend totally could have gone back to Winston’s hotel room the night they played the Varsity in Minneapolis, so that’s fun.

 

 

12. Disclosure – Settle

Disclosure-Settle

Another debut in a list of amazing debuts in 2013, Disclosure’s Settle was, by far, the best dance record released this year, and then Beyoncé had to come and mess everything up if you’re into more of an R&B flavor. But really, can we talk about “Latch” or “Defeated” or “You & Me” or “Help Me Lose My Mind” or really every track on this album, because damn.

 

 

11. Indians – Somewhere Else

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Maybe it’s the chic album art that I wouldn’t mind having framed, maybe it’s the delicate yet slightly kooky vocals from Søren Løkke Juul (not to mention the kooky name, but whatever he’s from Copenhagen so act cool), maybe it’s the melancholy melodies backed by subtle electronics to make the whole thing grander, but Somewhere Else is certainly something else, in the best way possible.

 

 

10. Drake – Nothing Was the Same

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I really didn’t want to like this album. Perhaps I was getting a little sick of Drake and I didn’t want anything to overshadow the amazingness that was and still is Take Care. But Nothing Was the Same is like, really, really good you guys. I still kind of don’t want it to be as good as it is, but damn, he cracked my top 10. Bravo.

 

 

9. Local Natives – Hummingbird

Local Natives, Hummingbird

After breaking out with the brilliant Gorilla Manor, I’m really happy Local Natives avoided the dreaded sophomore slump and came out ahead with Hummingbird. And while it doesn’t offer much in terms of innovation, Hummingbird makes up for that in perfecting the direction of the band and setting excellent expectations with songs like “Ceilings,” “You & I” and the devastating “Colombia.”

 

 

8. Phosphorescent – Muchacho

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If landscapes could sing songs, they would sound like those grouped together on Muchacho. It sounds new yet rustic at the same time, like you’ve heard these songs in a past life or something. Muchacho is beaten up, triumphant, free-wheeling and wistful – all the makings for one of the best albums of the year.

 

 

7. Arcade Fire – Reflektor

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The expectations for this album were incredibly high, thanks to a viral campaign, “secret” shows, track listing leaks, and lots and lots of ad money. Ultimately, Reflektor fell short for many. Have Arcade Fire jumped the shark? Maybe. Our quaint little indie band are now playing arenas on the next tour and have a much larger sound to match. Yet isn’t this the complaint aimed at every band who were once someone’s secret that now everyone enjoys? It isn’t all bad, and Win Butler seems to know exactly what he and the rest of the group are to do with this newfound superstardom. And there’s still no denying the pockets of genius found throughout Reflektor, with the title track being one of my favorites of 2013. Maybe I’m a little jaded that the secret’s fully out in the open, but I think we’ll get a clearer picture of what Arcade Fire is turning into (or has become) with a follow-up, whenever that happens.

 

6. Blood Orange – Cupid Deluxe

Blood Orange

Like, this is almost a perfect album. There’s really not much more I can say.

 

 

 

 

5. James Blake – Overgrown

James Blake

James Blake traded in the dubstep sound of his first proper LP for a more R&B flavored sound on Overgrown, and it pays off in dividends. Overgrown is a multi-textured album that has the ability to fully launch the listener into a dark, seductive atmosphere. It’s an album full of surprises, twists and turns that remind us why Blake is one of the best in the business.

 

 

4. Vampire Weekend – Modern Vampires of the City

Vampire Weekend

A familiar name that actually pulled through in 2013. People love to hate Vampire Weekend, but why? I think it’s jealousy. Insanely talented, good looking, smart guys that make great fucking music with a sound that is distinctly their own, Vampire Weekend’s Modern Vampires of the City is familiar enough while also offering something fresh over previous releases. It’s like a really solid piece of furniture. Don’t even get me started on “Hannah Hunt.”

 

 

3. Beyoncé – BEYONCÉ

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Even though it’s not the number one album, Beyoncé’s surprise (that’s an understatement) “visual album” clearly won 2013. If there was ever a time to use the term “tour de force” to describe an album, let alone the full Beyoncé Experience that was dropped on humanity as the clock struck midnight on December 13, this would be the occasion.

Not only is the album 14 songs long, but there’s a full on music video for each song (and then some). And these aren’t just like, go-pro handycam bullshit videos. Oh, and on top of all of that, the album slays. It’s her best work yet, sounding current without overplayed while also pushing some sonic boundaries.

In an age of massive pre-release promotions that have the potential to do more damage than good (see every other major release from well-established artists this year), Beyoncé and her team were able to create an event akin to when Radiohead released In Rainbows. It shows her dedication to not only the craft, but also the meaning of music and its ability to bring people together. Don’t be jealous.

 

2. Volcano Choir – Repave

Repave

God damn Justin Vernon. I remember seeing Volcano Choir perform their first ever show at The Cedar in Minneapolis back in 2011. Since Justin Vernon was involved, the crowd was a who’s who of the Minneapolis music scene and Bon Iver fanboys, all trying to get a taste of whatever Vernon had his fingers on those days.

The show was awesome, but it was basically one giant, live experiment, similar to the entire structure of Unmap. Certainly, this wasn’t music for the mainstream and would remain one of Vernon’s many side projects with his buddies.

Ugh, that notion was so wrong, and what a difference two years makes. After seeing Volcano Choir perform at The Metro in Chicago in support of Repave, we now find the group as a fully-formed juggernaut, complete with a live show that employs a beautifully-designed lighting concept cascading off of a cave-like backdrop, with Vernon planted behind a pulpit, preaching to raptured audiences. The songs on Repave are no longer experiments in sound and electronics. These are lovely, anthemic, powerful songs that serve as a call to arms. Vernon, for the most part, ditches the falsetto, belting out lines like “set sail,” pleading with the listener to “repave, repave, repave, repave,” and to “shed skin.”

It’s as if Vernon is shedding the persona of Bon Iver, and he very well may be according to some recent interviews. He’s at the helm now of a different, more powerful ship now, and that plasters a giant smile on my face.

 

1. Kanye West – Yeezus

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I’ve already dropped the mic on this album back in June, but once again, Kanye West has released the album of the year – an album that sounds like nothing else and pushes forward a very specific agenda about status and race in America. In closing, and in true Kanye form, Imma quote my previous post on Yeezus:

When Kanye first tweeted that he would be projecting new music at specific locations across the country, I dropped what I was doing and headed up the street to Wrigley Field, not knowing what to expect. In true Kanye form, the projection of “New Slaves” started an hour late. I tried to be as in the moment as possible while also trying to decipher what this new sound was and listening intently to the subject matter of what is a very deep song. Then, out of nowhere, in slammed the sample of Omega’s “Gyöngyhajú Lány.” It’s quite a beautiful and somewhat profound moment, actually, and felt more that way as me and 50 other people stared at the entrance of Wrigley Field with jaws dropped, while Kanye and Frank Ocean crooned “So let’s get too high, get too high again.” It may not be the same type of high that Dark Fantasy gave the world – Yeezus is a high of a very different sort. And thank God – At least none of us are bored anymore.

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Welcome to Currently Murking

Central and Remote has morphed into Currently Murking, a blog that I actually hope to keep updated.

Instead of focusing on full album reviews, I’ve decided that in addition to a live, constantly updated playlist on Spotify, I’d re-focus the blog to short, daily and weekly posts and music roundups consisting of tunes that are murking me.

First of all, writing full-length album reviews is like, kinda hard and time consuming. Second, many of you probably don’t care what my deep dark thoughts are on many of the albums I love the most beyond me saying “you should listen to this and here’s why and here are a few tracks to get you started.”

Third, contrary to popular belief, Spotify doesn’t have all of the music that is currently murking me, mostly because I’m a music pirate and indulge in albums before the official release date. That’s not to say I don’t monetarily support music by attending more live shows than my bank account says I should and buying many albums once they are officially released. I’m just an impatient music lover.

So with that, welcome to Currently Murking. To get things started, here are a few things that murked me this week:

THOM YORKE DANCING IN ATOMS FOR PEACE’S VIDEO FOR INGENUE

This is pretty self-explanatory.

PHOENIX – BANKRUPT!

The new album from Phoenix, due out April 23, leaked earlier this week. I’ve been hearing whispers that this might be a poorly mixed and not finalized version. Yes, the sound on Bankrupt! Is massive compared to other Phoenix outings, however I’m really enjoying it even if it is devoid of some of the more emo/quiet moments found throughout Phoenix’s catalog. Take a listen to the first single, “Entertainment,” below.

SUFJAN STEVENS RELEASES “ABONDONED SONG” FROM 2010, “GIVE A LITTLE LOVE”

I’m really happy Sufjan has a tumblr, because he does things like release random songs he forgot about but recently found on an old hard drive. Listen to it over on his tumblr here. Things turn wonderfully emotional about a third of the way into the song. Even in this raw form, it’s still murking me. It’s Sufjan Stevens afterall.

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